A conversation with photographer Michelle Äärlaht on creative evolution, slow living, and seeing the world with fresh eyes
Swedish photographer Michelle Äärlaht began her career in fashion before naturally transitioning toward the quiet geometry and light of architectural photography. What began as simple walks with her camera became a new artistic direction — one shaped by curiosity, presence, and a deep appreciation for both people and places. Now based in Oslo, Michelle shares how slow living influences her creative process, how travel sharpens her senses, and where she hopes to photograph next.
You started out in fashion photography and have now shifted your focus to architecture — what inspired this evolution?
It happened very naturally. I had been shooting fashion and still life in the studio for many years, and at some point I just wanted to get outside again — to explore, experiment, and see what caught my eye. I went for walks with my camera and kept gravitating toward geometric structures, textures, and interesting light patterns. I loved it so much that I started sharing it online. Then an architecture studio reached out and asked if I’d shoot their new project, and that’s when it fully clicked for me — oh, it’s architecture I’m shooting!
Do you see any similarities between fashion and architecture as visual art forms?
Absolutely. Visually, if I placed a model in one of my architecture scenes, it would instantly feel like a fashion shoot. Even though the subjects are very different, I see them with the same eye. The main difference is that with architecture, the building and space get all my attention, while with fashion the person comes first and the environment is more of a supporting character. But both feel very collaborative in their own ways.
How do you incorporate slow living or mindfulness into your creative process?
I do my best to stay connected to my body — walking, meditating, moving when I can. I also get a lot of inspiration from people, so I like to schedule little coffee shop hangouts throughout the week. Slowing down for a conversation or a moment of stillness often gives me more creative energy.
What do you love most about living in Oslo?
I love how I feel here. It has a beautiful mix of city energy and nature, and I’m grateful to have both the ocean and the forest so close while still living in a city. It also feels like an exciting moment in Oslo’s development — the city is evolving, and it’s fun to be part of that.
Has the city influenced your creative perspective?
Definitely. Oslo is small, but each area has its own atmosphere, which is amazing because you can match your walk or shoot to your “mood of the day.” You can go from modern waterfront lines to cozy old streets within minutes.
Are there hidden architectural gems in Oslo that more people should know about?
I want to say The Opera House because it’s my absolute favourite — but it’s not hidden at all, haha! Telthusbakken is also lovely: colourful wooden houses and a nice little view over the city.
How does travel shape your photography?
Travel influences me a lot. Experiencing a new place for the first time is a blessing — I feel my senses are sharper and everything feels visually fresh. When I see something I love, I can get so excited I start bouncing up and down, haha — there’s a lot of joy in creating.
Do you find yourself seeing cities differently through the lens?
Yes. The lens helps me notice details — light, shapes, little fragments of the city — but it’s just as important for me to put the camera down and experience the place with my whole body. Presence, feeling, observing… they all matter. It’s a balance.
If you could teleport to any destination right now for a dream photo series, where would you go and why?
Cape Town! It recently came up in a conversation with a friend, and I haven’t stopped thinking about it. I’d love to explore it for the first time and create a mix of architecture and portrait images there.
What catches your eye when you walk through a city — texture, light, shadow, symmetry?
All of the above! Haha — you nailed it.
What’s next for you — any upcoming projects or travels you’re excited about?
I’m working on an ongoing “people and architecture” project, so I’m bringing more portrait sessions into my months to balance out the buildings. The project needs a better name though, haha.
You’re from Sweden, lived in New Zealand and England for many years, and are now based in Norway. Where do you feel most at home — geographically or emotionally?
I once heard the term “geographically untethered,” which I thought was kind of funny and relatable. Emotionally, I feel incredibly connected to all the places I’ve lived, but Norway is definitely home right now — and Sweden will always be “home home,” because it’s where I grew up and where my family is.
Describe your perfect slow weekend in Oslo.
You’ll most likely find me in a coffee shop with a journal or a book — I love the coffee shop life. There’s something so comforting about doing my own thing while others are doing theirs. And if I’m with a friend, that’s a different vibe, but it’s equally perfect.
How do you create a sense of slowness, even in busy environments?
This made me think of my old London commute when I used to listen to calm piano music on the Central Line. It made me feel relaxed even when it was packed during rush hour, haha! I was reading as well. I guess I created a bubble — and inside it, I chose to feel that slowness.
What do you think the world needs more of right now?
Kindness and supportive communities. Little moments of connection — like having a coffee and chatting about life. Showing interest in the people around us goes a long way.
